1.
Silent
Crossing of Strings – Play this exercise as much as possible in the first
position, and it will give you some good practice in crossing strings.
2.
Melody
– This is a typical Vivaldi tune. Play it with a full silky tone, and see
how imperceptible you can make the changes from down bow to up bow, and vice
versa.
3.
Trills
– Practice this in both first and third positions, making your trills as
quick and neat as possible. It is the opening subject of one of Vivaldi’s
concertos.
4.
Double-Stopping
– Here is a specimen of Vivaldi’s double-stopping. Use only the lower half
of the bow, with plenty of wrist movement, and try to touch your two strings
exactly together.
5.
Passage
Work – Vivaldi’s concertos are full of passages of this sort. See that your
bow and the fingers of your left hand work well together, and watch your
intonation.
6.
Syncopation
– An early eighteenth century specimen. Use a short up bow for the
beginning of each phrase, and play with clean, crisp accents.
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